Here are five historically important
English translations. Three are
rhymed; two are not...





The Panther


               In the Jardin des Plantes, Paris

His gaze those bars keep passing is so misted
with tiredness, it can take in nothing more.
He feels as though a thousand bars existed,
and no more world beyond them before.

Those supply-powerful paddings, turning there
in the tiniest of circles, well might be
the dance of forces round a center where
some mighty will stands paralyticly.

Just now and then the pupil's noiseless shutter
is lifted.— Then an image will indart,
down through the limbs' intensive stillness flutter,
and end its being in the heart.

                               J. B. Leishman



The Panther


           
   In the Jardin des Plantes, Paris

His sight from ever gazing through the bars
has grown so blunt that it sees nothing more.
It seerms to him that thousand of bars are
before him, and behind him nothing merely.

The easy motion of his supple stride,
which turns about the very smallest circle,
is like a dance of strength about a center
in which a will stands stupefied.

Only sometimes when the pupil's film
soundlessly opens . . . then one image fills
and glides through the quiet tension of the limbs
into the heart and ceases and is still.

                                     C. F. MacIntyre





The Panther

               In the Jardin des Plantes, Paris

His gaze has been so worn by the procession
Of bars that it no longer makes a bond.
Around, a thousand bars seem to be flashing,
And in their flashing show no world beyond.

The lissom steps which round out and re-enter
That tightest circuit of their turning drill
Are like a dance of strength about a center
Wherein there stands benumbed a mighty will.

Only from time to time the pupil's shutter
Will draw apart:  an image enters then,
To travel through the tautened body's utter
Stillness—and in the heart end.

                             Walter Arndt




The Panther

               In the Jardin des Plantes, Paris

From seeing the bars, his seeing is so exhausted
that it no longer holds anything anymore.
To him the world is bars, a hundred thousand
bars, and behind the bars, nothing.

The lithe swinging of that rhythmical easy stride
which circles down to the tiniest hub
is like a dance of energy around a point
in which a great will stands stunned and numb.

Only at times the curtains of the pupil rise
without a sound . . . then a shape enters,
slips through the tightened silence of the shoulders,
reaches the heart, and dies.

                                     Robert Bly




The Panther

               In the Jardin des Plantes, Paris

His vision, from the constantly passing bars,
has grown so weary that it cannot hold
anything else. It seems to him there are
a thousand bars, and behinbd the bars, no world.

As he paces in cramped circles, over and over,
the movement of his powerful soft strides
is like a ritual dance around a center
in which a mighty will stands paralyzed.

Only at times, the curtain of the pupils
lifts, quietly—.  An image enters in,
rushes down through the tensed, arrested muscles,
plunges into the heart and is gone.

                                      Stephen Mitchell



Der Panther

               Im Jardin des Plantes, Paris

Sein Blick ist von Vorübergehen der Stäbe
so müd geworden, daß er nichts mehr hält.
Ihm ist, als ob es tausend Stäbe gäbe
und hinter tausend Stäben keine Welt.

Der weiche Gang geschmeidig starker Schritte,
der sich im allerkleinsten Kreise dreht,
ist wie ein Tanz von Kraft um eine Mitte,
in der betäubt ein großer Wille steht.

Nur manchmal schiebt der Vorhang der Pupille
sich lautlos auf—. Dann geht ein Bild hinein,
geht durch der Glieder angespannte Stille—
und hört im Herzen auf zu sein.



The Panther

               
In the Jardin des Plantes, Paris

His gaze is from the passing of bars
so exhausted,  that it doesn't hold a thing anymore.
For him, it's as if there were thousands of bars
and behind the thousands of bars no world.

The sure stride of lithe, powerful steps,
that around the smallest of circles turns,
is like a dance of pure energy about a center,
in which a great will stands numbed.

Only occasionally, without a sound, do the covers
of the eyes slide open—. An image rushes in,
goes through the tensed silence of the frame—
only to vanish, forever, in the heart.

(tr. Cliff Crego)