Walking the World:
On Form and
Water in Flowing Movement
(1) Form emerges out of movement; it is the outward envelope of the rhythmic pulse of life. The river creates itself the boundaries of the bed that order and give structure to its flow. |
(2) Life-like mechanical simulations of outward patterns of movement
do not mean that we have necessarily understood or discovered the inner
workings of the generation of organic form. The computer programmed
to make a rubato while performing Bach does not do so because it is
actually listening, or because of the rubato's perceived meaning within
the movement of the piece as a whole. Nor have the stunningly beautiful
computer displays of fern-like fractals necessarily captured the essence
of the fern's inner formative movements.
What the program programs is the intellect manifest in past performances;
what it necessarily leaves out is listening itselfor intelligencewhich
is not of the past, but always now, of the present moment.