Week I
The temple bell stops |
I (1) Walking the
World: On Water in Flowing Movement I (2) Leys of Love Do you not know this light and quick movement of energy?
I (3) On the Wayside
What's a weed but the
...oh, oh, o h ,
I (8) The High Moor...
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Week II
"I see and approve |
II (1) Walking the
World: As the River Runs Reflecting upon this tragedy of the destruction of the Rhine... (also: from WOODCUTS; DAM and essay on natural limits called, The Devil Stands on the other Side ) II (2) The Little Clavier Each poem is a miniature makeshift piano... (also: see the essay The Little Clavier and the Idea of Sympathetic Resonance) II (3) The Botanical Gardens After a while, you read the signs first... II (4) Knowing Summer mountain, magic meadow... _________________________________ II (5) Here On the way, many beautiful camps offer themselves for the night... (also: Part I of a cycle of 80 short high country poems called On Paths: I ; see also ListeningPage: On Paths) II (6) Rilke: Evening Slowly the evening changes into the clothes, held for it by a row of ancient trees... (also: The Poetry of Rainer Maria Rilke: New Translations by Cliff Crego) II (7) The Sound of XTC Two big speakers, ridin'/ drive, drive, drive... (also: musical score of XTC) II (8) Winter Solstice That time of year when thoughts of the past turn to face the stars of the North... |
Week III
The great sea has |
III (1) Walking the World
Making the Image Whole Every mechanically reproduced image of a natural world must be recomposed by the viewer in order to bring it back to life. (also: see an essay called, Backpack Pilgrim; Listen to Cliff Crego read at the ListeningPage: Backpack Pilgrim) III (2) Leaves Perhaps leaves fall simply to carry away all that we thought we needed to say. III (3) Centers What we think of as empty space is alive, has structure, just as wood has a grain. (also: The Rhythms of the Solar Year: A Calendar ) III (4) The Revolving Door ...and the revolving door, now empty, swings round its middle, as faces turn and eyes meet, once more. __________________________________ __________________________________ III (5) A Gathering Place In a far / corner, glass opaque and crusty with old manure... III (6) For a Friend and a Crow Mid-morning, sitting in new snow with an old friend. III (7) Waystations Empty, there's no one here...(also: Part II of a cycle of 80 short high country poems called On Paths: II ) III (8) November Snow To the side of a cascade of little waterfalls, the yellow-golden leaves of a mountain birch drop one by one into the clear pool where the water gathers itself together and rests a while. |
Week IV
The miracle
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IV (1) Walking the World
Stone Pine Mountain The Earth is not everywhere old. Hidden away wherever we look are these little places where life is just beginning anew. IV (2) Six Metaphysical Miniatures The spring gives freely of its water, but only in freedom can we drink. (also: On Simplicity, Complexity and Human Design ; Archive of Miniatures ) IV (3) Without A world without light or sound is thinkable, but... (also: Fireweed Poems: Songs of Love and Loss: Part I and Fireweed Poems: Songs of Love and Loss: Part II IV (4) Crabgrass How the violets and yellow flowers of spring wish to return, sure signs that someone has given up all the fighting.. IV (5) Wanderer ... these necessary crossings of arbitrary borders ... IV (6) Rilke: Autumn Day Lord: it is time. The summer was immense. Let thine shadows upon the sundails fall... (also: The Poetry of Rainer Maria Rilke: New Translations by Cliff Crego) IV (7) Every Valley Has Two Sides A cluster of stone huts, huddled together like sheep in a storm. IV (8) Sometimes a poem wanders about the world... (coda and signature piece for exhibition) |